- And Then Nothing Turned Itself Inside-out
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- Yo La Tengo And Then Nothing Turned Itself Inside-out Rar
All through the last decade, you’d find a lot of people insisting that the album was dead, a victim of the MP3, the iPod and a la carte downloading. But that never happened. If anything, artists doubled down on the format, resulting in a renaissance of long form artistic statements from a wide range of artists. This list of the decade’s 100 best albums includes the work of rock revivalists (the Strokes, the White Stripes), dance floor visionaries (M.I.A., LCD Soundsystem), hip-hop icons (Jay-Z, Eminem, Kanye West) and old standbys like Bruce Springsteen, Bob Dylan and U2, who reinvented their sound without losing touch with what made them living legends. This list is not just an argument in favor of the enduring appeal of the album format, but a compelling case that some of the best music of all time came out between 2000 and 2009.
After years as one of indie rock's standard-bearing groups, Yo La Tengo surpasses itself with And Then Nothing Turned Itself Inside-Out. A culturally literate, emotionally rich album, on songs like 'Let's Save Tony Orlando's House,' 'The Crying of Lot G,' and 'The Last Days of Disco,' it alludes to The Simpsons, enigmatic author Thomas Pynchon and independent films while exploring the comforting, confining, complex aspects of relationships. 'Our Way to Fall' sets Ira Kaplan's recollection of falling in love to a dreamy, down-to-earth backdrop of gently brushed drums, luminous organs and vibes; 'The Crying of Lot G' transforms the syrupy sweetness of '50s ballads into a monologue about a relationship's shortcomings. 'Madeline's shimmery indie bossa-nova and the countrified ballad 'Tears Are in Your Eyes' showcase Georgia Hubley's buttery, empathetic voice; her singing makes these vignettes universal as well as personal. Mein nagin nagin dance nachna mp3 song free download. Like mature indie rock records such as Pavement's Terror Twilight and Jim O'Rourke's Eureka, And Then Nothing.. favors mellow songwriting, detailed arrangements, and eclectic influences, such as the Silver Apples-like drum machines and doo wop backing vocals that adorn many of the songs. The wintry, implosive 'Everyday' uses both of these elements, along with a plaintive guitar and hushed, hypnotic vocals, to begin the album on a surprisingly somber note. Similarly, the off-kilter beats, odd piano bursts, and harmonies on 'Saturday' add to the song's awkward, uneasy beauty. Finally, nine songs into the album, Yo La Tengo breaks out the whammy and feedback action on 'Cherry Chapstick,' their most incandescent song since 'Sugarcube.' Easily one of 2000's most accomplished albums, And Then Nothing Turned Itself Inside-Out isn't as immediate as some of the group's earlier work, but it's just as enduring, proving that Yo La Tengo is the perfect band to grow old with.
And Then Nothing Turned Itself Inside-out
You Can Have It All
Night Falls on Hoboken
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Yo La Tengo And Then Nothing Turned Itself Inside-out Rar
Time slips in and out of place with snipits of reality intertwined. Although it is very laid back, Id say it is quite abstract lounge music. The title of the album sort of sums it up. My only real complaint is the song Cherry Chapstick.
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